2011年2月16日星期三

Letters From Iwo Jima

In Entertainment today, we listen to an interview with the legendary American
  actor and director, Clint Eastwood.
  He talks about his new film, 'Letters From Iwo Jima'. Clint Eastwood was
  nominated for a Best Director Oscar for the film, which tells the story of the
  battle for control of the Japanese island during World War II.
  It's the second of two films Eastwood's directed about the battle of Iwo Jima.
  The first, 'Flags of our Fathers', looked at events through the eyes of US
  soldiers, while 'Letters From Iwo Jima' shows the reverse side. It shows events
  from the perspective of Japanese soldiers, and is filmed in Japanese.
  It shows how Japanese soldiers tried unsuccessfully to defend the island from
  American troops. Sacks of letters, written by the Japanese soldiers, were found
  decades later, buried in caves where they died. The letters were the inspiration,
  the idea or stimulus, for Clint Eastwood's film.
  Here is Clint Eastwood talking about why he's made two films on the same
  subject. He says he's interested in the personal stories of the people who were
  sent off to fight. The films 'personalise' the historical story – they focus on the
  human details and feelings.
  As you listen, try to catch the two words Clint Eastwood uses to describe the
  way in which stories of war always end.
  Clint Eastwood
  'What I tried to do with these particular films is just personalise it and tell stories about the
  people other than the war itself. The frustrations of war are obvious, you know, people being
  taken away from their families and sent off to fight for causes they're either in sympathy with
  or they have little knowledge of, but they're still sent to fight regardless, and it's fun to delve
  into that because it eventually winds up with the same thing – it's going to be the tragedy and
  the futility of it all. '
  Amber:  Did you catch them? Clint Eastwood says that he finds it 'fun' to delve into, to
  explore, the situations of the soldiers sent to fight because the terrible truth is
  that war 'winds up', or ends, with 'the same thing' – 'tragedy' and 'futility'.
  Tragedy is a disastrous event. Futility is uselessness or pointlessness or
  senselessness.
  Listen again.
  Clint Eastwood
  'What I tried to do with these particular films is just personalise it and tell stories about the
  people other than the war itself. The frustrations of war are obvious, you know, people being
  taken away from their families and sent off to fight for causes they're either in sympathy with
  or they have little knowledge of, but they're still sent to fight regardless, and it's fun to delve
  into that because it eventually winds up with the same thing – it's going to be the tragedy and
  the futility of it all. '
  Amber:  Next, Clint Eastwood talks about whether he found it difficult to understand
  the point of view of the Japanese soldiers.
  As you listen, try to catch what says the 'good guys' wear to mark them out in
  a propaganda film – a propaganda film is made to spread a particular view of
  events – and what the bad guys would wear in such a film.
  Clint Eastwood
  'It wasn't difficult - it's a question of just curiosity. If you're curious about how people feel in other societies, in other cultures, then you can be curious about it – and you'll be interested in
  exploring it. But if you're not curious about it, if you just think of it in terms of World War II movies where it was a propaganda thing – where there's the good guys with the white hat, and
  the black hat guys on the other side, then, if you keep it that simple, then you're not curious
  about it, then you don't give a damn. But I – at this point in life – it seemed like it was
  interesting to explore the feelings of other people.'
  Amber:  So Clint Eastwood jokes that in propaganda movies the good guys wear white
  and the bad guys wear black – just to indicate who is who. He explains he is
  driven by 'curiosity', by a desire to know. He says the opposite of being
  curious, is not giving a damn – a very informal expression meaning you don't
  care at all.
  Listen again.
  Clint Eastwood
  'It wasn't difficult - it's a question of just curiosity. If you're curious about how people feel in
  other societies, in other cultures, then you can be curious about it – and you'll be interested in
  exploring it. But if you're not curious about it, if you just think of it in terms of World War II
  movies where it was a propaganda thing – where there's the good guys with the white hat, and
  the black hat guys on the other side, then, if you keep it that simple, then you're not curious
  about it, then you don't give a damn. But I – at this point in life – it seemed like it was
  interesting to explore the feelings of other people.'

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